Stop the war! I say stop that war RIGHT NOW!
Thank you. Now who will liberate me from the brutal dictatorship of my own diseased mind-uh.
Inappropriate metaphor! Shame on me.
Right. What has been going on in my last two invisible weeks? Most of my tapes digital and analogue have been erased but these following echoes remain, lingering like a remnant of a dream fading by the minute as the day awakens and the sunlight pollutes your fuzzy marshmallow post-sleepy mind. These echoes are subject to Music Content filtering.
I
I had waves of atavistic joy washing over me as I lay abed (pointless archaism) and feasted on those midweek BBC 2 highlights of the
Old Grey Whistle Test from the Seventies the decade that fashion forgot (do you remember the clothes we used to wear hur hur, and the sweets and that). A few of them items I recalled from a previous life - esp Otway and Barrett clowning about doing
Cheryl's Going Home, Otway impaling his crotch on an amp and Wild Willy's funny little tiny little guitar coming unplugged all the time. I don't know if it's a blind sweeping ooze of nostalgia de la boue (half remembered phrase, no idea what it means) but I loved virtually everything that was on. Dire Straits were thrilling doing
Sultans of Swing! Yes I did say that! He looked very good, very anti-showbiz, like a bowlheaded polytechnic student. And man, those cats coiuld play!
The Adverts were disappointingly weedy doing
Bored Teenagers. They couldn't play their instruments ha ha! Neither could the Rezillos but they jumped around and were splendid. Days when bands invented their own look - and adopted absurd nom de plumes - and had the guts to carry off their self-created absurdity with aplomb. Innocenter days. Ahhhh.
The Buzzcocks gave me a perky little frisson with the entirely appropriate
Sixteen Again, always my fave song of theirs.
Tom Waits came across like a frightful old ham, standing up and growling through
Small Change (Got Rained On by His Own 38 - what?). Fair enough if his approach was to inhabit some sort of beatnik-bum-poet persona but it was excruciating to watch. And I think he's great!
Let's fine tune that - I think his records are great. The records are The Thing for me, I don't ultimately care if someone can 'do it' live, or if they mean it, or what their opinions are, or how they behave in their personal lives.
Cheap Trick did their 'hit' ( in UK terms) which was gorgeous classic! power pop! harmonies!, I spotted another band recently who have a two pretty boys plus two dorks line-up but I forget who at the moment.
And the Tubes did their big hit, which remains a towering masterwork in my mind. How come they only had two and a half good songs? My mum and dad are so bleedin' rich! And that great flowing little guitar break! Big heels and more than a suggestion of depravity. Perhaps their look was too absurd and insufficiently menacing for your real punks to respond to. Then they went 'new wave' and I, for one, lost interest. But good god,
White Punks on Dope!
The Dictators who weren't really much cop, did
Search and Destroy which was fantastic!!
Siouxsie and the Banshees were very tedious. They couldn't play their instruments but they couldn't not play them in an interesting way. The codification of goth lurked in their every gesture. It was ghastly, and I went to the toilet.
Also tedious was Eric Clapton who could play but by 1976 or whenever it was had forgotten how to do so in an interesting way and he dragged out
I Shot the Sheriff for far too long. He dereggaefied it and stripped the lyrics of all meaning. A bit like he did with the blues! Except... you know...
George Benson played his guitar for ages too but I liked that one. It was pretty and delivered a spring day on holiday driving to Scotland or somewhere with Radio Two on in the car and being 14 kind of vibe.
Talking Heads (
Psycho Killer of course) were slinky and mesmerising, and I've seen that clip loads of times.
The Runaways were superb! Yes they were like the Donnas! Get over it! Yes four raunchy tuff girls with guitars and what I feel even ickier typing as
attitood! Oh come on! I don't know what they sang,
Schooldays was it. I jigged around in bed - my harem of wives weren't too happy with that I can tell you!
II
What do songs mean? I rarely concern myself with such matters. I don't know what the hell people are singing half the time. However, sometimes a line, a lyric, gets through and I come up with a meaning. Like in Mull Historical Society's song
5 More Minutes. To my grubby little mind this is all about losing your hard-on due to an unspecified psychological problem and asking your partner for five minutes grace in which to compose yourself before trying to finish the job. But maybe that's just me. The MHS's lovely
Animal Cannabus was in a film I just saw
Ripley's Game (John Malkovich being a charmingsophisticate-cum-coldbloodedkillingmachine in Italy). When that happens of course, I slip effortlessly into uber-geek mode and feel the urge to inform the whole theatre that the song playing on the radio in the kitchen in that scene that you probably didn't even hear was by Mull Historical Society. And did you hear the Saint Etienne one in the party scene? I did, because I am a raging nitwit.
It also occurred to me that Brendan Benson's
Let Me Roll It is about self-pleasuring. Do you know, I love the godalmighty retro living hell out of that song. It crunches, it swoops, it soars and it might even be rude! Once again, he comes up with an unpromising title - see last year's
Folk Singer - and delivers one of the greatest songs I'll hear all year. And never mind if the year in question is 1975. Ahem.
IV
Now, I can't stand classical music, I only have so much time in my life to listen to SOUND and I think if I just make several hundred years of music genius illegal in my life, that will help me. I am nothing if not in favour of a ruthless autocracy featuring random outbreaks of barbarianism - in my musical world. However, sometimes I come over so vigorously hoi polloi that a tune like Faure's Pavane, if featured as the title music of the BBC's coverage of World Cup 1998, will grab me in the breast and tug at my nipple in a rather delightful way. Not quite as delightful as if you were to ram your tongue in my ear, that would really do the trick. Anyway, only in those circumstances would I permit myself to love a piece of classical music, and so thereafter I would definitely like it if I heard a version by
Brazilian Octopus from their joyful little (28 mins) 1969 self-titled album.
You might say it sounds like supermarket music, or Carry On incidental music, or that it should be featured in the computer game The Sims, but that's fine by me.
IV
About once every couple of years I get an itch that someone is looking at me, and the itch develops into a scratch and then I am convinced that everyone is giving me the evil eye. As we know once is happenstance twice is coincidence and thrice is Enemy Action (James Bond, cheers), so what is it when at least 20 people stare at you for no good reason. That's a seven nation army all looking at me like I'm a circus freak! I checked when I got home and my fly wasn't undone, my hair wasn't matted with spunk. I thought it might be leakage - and I don't mean from my anus! I mean from my headphones which I take care not to inflict on fellow passengers, but then I got the extended glance from a few pedestrians so that wasn't it.
"Embarrassed to be alive
Sit with my life open wide
Your stare is forcing my face open"
Dinosaur Jr,
The Leper
It's like they can see right into the rotten core of me and they don't like what they see. If looks could kill and so on. Fuck 'em, is all very well. But I'm not the sort of person to offer witty repartee such as "What choo lookin' at?" I would like to wear a 'FUCK YOU" t-shirt which would at least be preferable to the guy I saw - at least 35 - wearing a "Skateboarding is not a crime' t-shirt.
My boss, without whom my life would be almost bearable, loves the
Seven Nation Army. This hasn't quite ruined it for me yet but then again I like the White Stripes (lots of like but it's not love, I mean they're not MINE exclusively). There's a slice of, admittedly tasty, ham about them that blocks the path of true love for me. I've been wondering if I can ever feel that silly pop crush ever again, and if that wouldn't be a blessing. I last had it bad for Life Without Buildings.
That will never happen again.